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Music and Spiritual Practice - An Overview of Poligraf
Music has been an essential part of my life since the end of the 80s.
The adventure began during the second of my four years of studying electrical engineering at Université Laval in Québec City. Through various friends and contacts I reconnected with progressive rock, a form of music to which I had already been exposed to in my youth thanks to my older brothers and sisters. Hearing the music of bands such as Yes, Rush, Genesis, and King Crimson felt like meeting old friends, and quickly I knew I just had to do as those musicians did, although my prior experience with music had been minimal at that time.
The feeling was so strong that not only did it led me to buy various instruments so I could learn how to play, but it was also the main force that made me decide to change direction after my first semester as a graduate student in computer vision and systems so I could build my life around music. And perhaps more importantly, when it became clear that I would compose music of my own, it spawned the question "what should the songs be about ?" which powered me into many years of exploring a multitude of domains of knowledge including science, philosophy, psychology, art, mysticism, and the occult.
Music for me is also spiritual practice. The inspiration and elevation it provides is undeniable, and the many insights I have had while practicing an instrument or rehearsing a part are too numerous to recount. Music picks me up when I let reason bring me down, restores my energy levels when I feel tired, sustains me through lengthy work sessions, and generally brings me to a state of inner peace and deep joy.
My objective as a musician is to communicate that energy in the hopes that listeners will experience that very same elevation and inspiration. It is also my intention to share my experiences and discoveries and thus hopefully help others reach understandings that can they can use on their own journey.
Buddhism has been an essential part of my life since the mid-90s.
The adventure began when I stumbled upon a feature in an encyclopedic dictionary that highlighted the Four Noble Truths. That finding immediately sparked my curiosity and a few days later I was buying a copy of The Dhammapada at a local bookstore. While slowly digesting the aphorisms in the weeks that followed, I found that its teachings were in continuity with a process of introspection that had begun during an introductory course on neural networks (i.e. systems designed to emulate some of the capabilities of the human brain, such as pattern recognition and associative memory), the study of which had triggered the question "what does this tell me about my own inner workings ?"
From then on I pursued my explorations and plunged into the Tibetan Book Of The Dead, which was quickly followed by various Mahayana sutras. I also bought a guide to learn how to meditate and started experimenting with the practice.
During the years that followed, I plowed through most of the major Mahayana sutras, progressively adjusted my lifestyle and behaviour to accord with the precepts, refined my meditation practice, memorized mantras, and became a vegetarian.
Meditation and mantra recitation are now part of my daily practice.
Poligraf has been an essential part of my life since its inception at the beginning of February 1998.
The adventure began after the collapse of a band that probably never really existed as it only had a handful of rehearsals, but for which I had already written a lot of material. Left alone at the helm, I connected with a group of experienced musicians via a co-worker friend and after agreeing on a general aim and formula, we raised sail and headed to the terra incognita of progressive rock.
Over its eleven years of activity in various incarnations, Poligraf has yielded enough music for three full-length albums and two conceptual EPs, but never really had a chance to officially record any of them, although some of the material has been performed on stage on various occasions.
Most of the music documents my own spiritual path and presents some of the lessons that life has taught me on the way. Some pieces are directly inspired by Buddhist texts or teachings. For instance, "Between Worlds" is directly inspired by the Tibetan Book Of The Dead, and "The Idler" and "Creeper" have been inspired by aphorisms of The Dhammapada. "Void" illustrates the Buddhist concept of emptiness, and "SubjeKctiv" serves as a reminder of the subjectivity of experience and the coextensivity of worlds. "Entering the Stream" is a suite in three chapters that depicts the trajectory of an individual fed up with the mundane who decides to retreat into an ashram for some heavy introspection before returning to the ordinary with a renewed perspective on life.
Throughout all these years, if the Mahayana has provided the vehicle, then Poligraf has certainly provided landscapes, path, and drive, while the buddhas have completed the picture with their timely, serendipitous, and often magical interventions.
I don't know why I feel so strongly about music, progressive rock, and Poligraf in particular, but I just know I do and I trust that feeling to the best of my ability. My connection to Poligraf runs so deep that whenever I let hardships or circumstances turn into reasons to believe that there's no viable future for the band, then I retreat into apathy. That is, until that unmistakable feeling breaks through the veil of confusion to drive me again. To the best of my present understanding, my own self-realization seems to be linked to that of the band, if not as the culmination of my spiritual practice, then at least as an essential stepping stone towards it.
Poligraf's first album is entitled "Samsara." Traditionally, the term refers to the Buddhist concept of the cycle of birth and death in which all beings in the universe take part and which can be escaped only through enlightenment. Personally, I agree with the view that it is rather that very same process of enlightenment, in which ups and downs are in fact the appearance of constant motion towards spiritual growth.
In accordance with that perspective, the album presents a collection of pieces that depicts the journey of an individual who faces a series of challenges through which they will experience various transcendences, on their way to a better version of themselves.
Poligraf is very much eager to spread its wings and go into recording mode. The boys in the band would be grateful if you would be kind enough to learn more about "Samsara" and listen to the demos. You're also invited to extend your support and pre-order one of the packages we have put together to that intent.
Thank you for reading thus far, and best wishes to you on your journey.
Posted on September 4, 2009 at 5:29am —

(Tobyo from the Bakemono-Dukushi - Unknown Artist)
"Uncoiling I" was originally written in September 2002, elaborating on drafts da
… ContinuePosted on September 3, 2009 at 5:14am — 2 Comments

"Introspection II" is the fifth section, and second with vocals, of "The Chrome Lake." And as is the case for its almost-but-not-identical twin "Introspection I," the subject matter is pretty much self-explanatory.
Verse
Posted on September 1, 2009 at 6:37am —

(Erie Steam Road Roller scanned by Andy Dingley from the "New Catech
Posted on August 27, 2009 at 2:03pm —
Posted on August 24, 2009 at 7:48pm —
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Hope you enjoy the images and the music.
Did you check out the free download from www.bigbigtrain.com?
I've always liked the band and have produced some artwork for them. This latest track is 23 minutes long and reminds me so much of the Phil Collins version of Supers Ready from Seconds Out. Not that is is totally retro or derivative but it has that English feel and driving structure with a great climax. There are some real prog stars on this one and a lot of Genesis associations. The singer was auditioned as a replacement for Phil and the drummer was featured on Calling All Stations. I think it's a real gem and I'm really proud they used my artwork on the cover.
Check it out and let me know what you think.
It's interesting that there are so many ways of reading Buddhist texts, so many traditions. It's very rich in thought!
There should be book out there about the supernatural debate in Buddhism! :)
My skepticism about the supernatural was in fact fueled by Buddhism in the sense that Buddha said to question everything and never to take anything on faith. The teachings permitted me to only have faith/belief in that which is a result of my reasoning. So, for me, a concept such as reincarnation is still only a 'working hypothesis', which is yet to be demonstrated to me using the reason that Buddhism seems to nurture. It's not purely western/scientific stance, it's sort of Buddhist-science, although quantum physics, for example, has begun to support a lot of Buddhist thought. I'm not sure if western religious thought is entirely founded in science - at its core are the supernatural stories of the mono-theistic religions, all of which demand faith in that which cannot be tested. The west is certainly very materialistic, though, as you so rightly pointed out.
Best and metta!
dR
I still have a lot to learn and maybe I'm wrong, but I started to feel that, for me, Tibetan Buddhism was perhaps a little politicised - not just in regard to China, but also internally, ie, the join of 'church' and state, as well as issues like the fight over Dorje Shugden.
I also felt that Tibetan was quite syncretic with the local religion(s), so there were elements that didn't feel very Buddhist to me - oracles, for example. (I just can't equate supernatural elements with Buddha's teachings).
By 'not feeling very Buddhist' I mean to say that they didn't seem to me to be included in or reflect Buddha's original teachings.
And so I started looking for the nearest I could get to Buddha's core teachings and suttas without all the inevitable additions that occur over time to all religions and cultures. I ended up feeling more comfortable with Theravadan, in particular the forest tradition, or more specifically Ajahn Chah's teachings/lineage.
Of course the core of all the traditions is the same, with more or less the same goals. Even the main difference between Mahayana and Theravada (ie, the Bodhisattva vow to delay enlightenment until other sentient beings are also liberated) seems to be largely reflected in my experience of both traditions anyway. Compassion comes with the territory :)
I still get a lot out of all Buddhist teachings, no matter the tradition.
anyway, I'm rambling on,
Nice to have a Buddhist on board, :)
dR
You seem to lean more toward the Mahayana - any particular branch? Tibetan? Zen? Many years ago I studied Tibetan but in recent years I've gravitated more toward Theravadan, particularly the forest tradition.
best,
dR
:)
dR
Your name made me do a double-take, and I clicked over to see if you were THAT Chris Stewart. I've only seen TMB once; Trick of the Tail; now I'm looking forward to seeing them again...
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